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Why a Diljit Dosanjh film vanished from streaming after two days

Published July 7, 2026 · Updated July 7, 2026 · By Susan Lopez

The Sudden Removal of a Diljit Dosanjh Film Sparks Debate

Why a Diljit Dosanjh film vanished - On a Friday, the Indian streaming platform ZEE5 launched Satluj, a film starring Bollywood actor Diljit Dosanjh, only for it to vanish from the service two days later. The abrupt departure of the movie from public view has raised questions about its censorship and the motivations behind its removal. ZEE5 cited "current developments" as the reason for its temporary unavailability in India, though the exact cause remained unspecified. The film, which had already been released, is now officially out of reach for Indian audiences, leaving its creators and fans puzzled.

A Controversial Story Rooted in History

Satluj is a biographical drama centered on Jaswant Singh Khalra, a human rights activist whose life and work became the film's foundation. Khalra, a key figure in Punjab’s separatist movement, investigated claims of enforced disappearances and extrajudicial killings by security forces during the 1980s and 1990s. His own disappearance in 1995, which led to his abduction and murder, underscores the perilous nature of his activism. The incident resulted in the conviction of several Punjab police officers, who were later held accountable for their roles in his fate.

"My love and respect to all of you. What I had already expected is exactly what happened. I thought the film might get banned when [government] offices opened on Monday, but I didn't know it would happen as early as Sunday evening." — Diljit Dosanjh

Dosanjh, who portrayed Khalra in the film, expressed frustration over the quick decision to pull Satluj. He noted that the uncertainty surrounding its release had led the production team to limit promotional efforts. "If we had promoted it, the film would definitely not have been released at all," he said, highlighting the pressure faced during the certification process. Despite its brief availability, the film garnered critical acclaim, with The Hollywood Reporter calling it "one of the finest Indian films of the year."

The Film’s Struggles with Certification

Completed in 2022, Satluj faced a prolonged battle with India’s Central Board of Film Certification (CBFC), the government body responsible for approving cinematic releases. Initially titled Ghallughara, a Punjabi term associated with Sikh history’s darkest moments, the film’s original name referenced the mass killings of Sikhs by Mughal forces in 1746 and Afghan ruler Ahmad Shah Durrani’s troops in 1762. These historical references, however, became a point of contention during the certification process.

Director Honey Trehan revealed that the CBFC demanded multiple changes to the script, initially listing 21 cuts but eventually expanding the request to 127. The board’s objections targeted elements that depicted reality, such as Khalra’s investigations into human rights violations. Trehan argued that these alterations would fundamentally reshape the narrative, diluting the film’s message. The original title, Ghallughara, was replaced with Punjab '95, a reference to the year Khalra disappeared, to ease the certification process.

International Exposure and Domestic Censorship

Despite the challenges, Satluj was set to premiere at the 2023 Toronto International Film Festival (TIFF). However, the producers withdrew it before its debut, citing unresolved certification issues in India. The festival did not explicitly connect the withdrawal to the government’s pressure, leaving the decision’s implications ambiguous. This move, combined with ZEE5’s swift removal of the film, suggests a broader effort to control its narrative within the country.

The government has not publicly commented on the decision, prompting the BBC to seek a response from the federal information and broadcasting ministry. While the ministry remains silent, the film’s producers claim it was removed on government orders. The Indian Express reported that a spokesperson for RSVP Movies, the film’s production company, stated the film was taken down under official direction. This lack of transparency has fueled speculation about the political motivations behind the censorship.

Historical Context of Punjab’s Insurgency

The film’s subject matter is deeply tied to Punjab’s separatist insurgency, a turbulent period in modern Indian history. From the early 1980s to the mid-1990s, Sikh militants advocating for an independent state of Khalistan clashed with Indian security forces. The conflict, marked by violence and civilian casualties, left thousands dead and sparked accusations of human rights abuses. As the government intensified its crackdown, groups like the Human Rights Commission of India criticized security forces for arbitrary arrests, enforced disappearances, and summary executions.

While the authorities defended their actions as necessary to end the insurgency, the incident involving Khalra served as a symbol of the broader tensions. His investigation into the alleged secret cremation of victims—without their families’ knowledge or proper records—highlighted the government’s alleged disregard for transparency. The film’s creators aimed to bring these events to light, but their efforts were met with resistance. The CBFC’s demands for changes, combined with the political climate, created a perfect storm for the film’s removal.

Legacy and Impact of the Film’s Removal

Although Satluj was only available for two days, its brief release sparked discussions about the role of cinema in addressing political and social issues. Dosanjh, reflecting on the film’s journey, emphasized the significance of its delayed premiere. "Despite its removal, I’m glad audiences were able to watch it after years of waiting," he said. The film’s narrative, which follows an activist uncovering truth in a time of conflict, resonates with themes of justice and sacrifice.

The abrupt disappearance of the film from streaming platforms raises concerns about the censorship of artistic expression. With its original title and content altered to appease regulatory bodies, Satluj now stands as a case study in the challenges of bringing sensitive historical narratives to the screen. As debates continue over the government’s role in the decision, the film’s legacy remains a topic of interest for filmmakers and activists alike.

In the absence of public clarification from the government, the removal of Satluj underscores the delicate balance between creative freedom and political control. The film’s journey—from its initial title to its final release and sudden unavailability—reflects the complexities of storytelling in a nation grappling with its past. As the Central Board of Film Certification continues to shape the landscape of Indian cinema, the fate of Satluj serves as a reminder of the power of film to provoke thought and challenge authority.